The Ensemble EYEmusic scores are a departure from the original approach to creating graphic notation. Rather than using one panel as a complete score, I moved toward creating a series of parts. This approach first appeared in EYEmusic VIII (the border). Commissioned by Paul Connolly for a performance at NMASS 2018, I created five parts for a solo instrument (in the premiere the solo instrument was a typewriter) and a non-traditional string quartet consisting of violin, viola, cello and bass.
In EYEmusic VII (the heroes journey-six meditations on steretyping) commissioned by Shaun Renzoh Head, the hidden story was very intricate, full of nuance and details that made it difficult to place into one panel. I began to think of a chamber concerto. I paired the shakuhachi flute with a traditional string quartet, but as the solo part was going to be more involved, I created different panels for the solo flute. These six are the solo flute parts. One panel for each movement of the work.
The four panels below are the string quartet parts for EYEmusic VII
